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Understanding the basic principles of design composition helps you solve design problems, whether you want to help users complete a task, purchase a product, or both. 

The way a design is composed has a strong influence on the way it’s perceived by users. Different types of compositions can have dramatically different effects on those viewing the composition, in both positive and negative ways.

Exercise #1

Composition

Design composition, in simple terms, refers to how elements are placed on a page. Successful composition means arranging your design in a manner that not only looks good but also serves its purpose. To achieve that, follow the principles of design composition: harmony, visual hierarchy, balance, scale, repetition, contrast, emphasis, and unity, among others.[1]

Exercise #2

Geometric center

Geometric center

Every shape has a geometric center. For basic shapes — like rectangles, ovals, and squares — it’s the point where the axes of symmetry meet. For a circle with an infinite number of symmetry axes, a center is a point equally distant from all edge points. Placing vital elements in a geometric center makes for the easiest, although not the most imaginative composition. It feels stable, static, and unchanging.

Exercise #3

Compositional center

Compositional center

The geometric center of your design will always be in the same place. The compositional center, however, is located based on how your design is organized. It could be a point, several points, or a line along which you place elements.

Exercise #4

Visual center

Visual center

If you ask someone to point to the center of a shape, they’ll generally point to a spot slightly above the geometric center. Because of the emphasis we place on the top of a composition or element, we perceive the visual center to be slightly higher than the actual center.[2]

In design, that means that if we place elements at the geometric center, they can actually appear to be unbalanced and slightly too low. Placing elements in the visual center gives a more balanced and harmonious look to your designs.

Pro Tip: Balance elements around the visual center instead of the geometric center to draw more attention to your subject.

Exercise #5

Dominant elements

Dominant elements

In many compositions, one element will dominate over the others, through some combination of size, shape, color, texture, or space. This dominant element carries more visual weight and gets noticed first. Think of it as the entry point to your design or the starting point for the story you’re telling. 

When designing a composition, make sure that the most important elements are dominant. The goal is for them to stand out among surrounding elements and grab the user’s attention.

Pro Tip: The dominant element should emphasize the most critical information as it might be the only thing users will see.

Exercise #6

Symmetry

Symmetry

The perceived weight of a visual element is called its visual weight. A composition with equal visual weight on all sides is considered symmetrical. Symmetrical balance feels formal and elegant, but is also predictable and sometimes boring.

Exercise #7

Asymmetry

Asymmetry

Asymmetry occurs when there's unequal visual weight on each side of the composition. For example, we can balance a dominant element on one side by adding several secondary elements on the other side. Asymmetrical balance is more dynamic and exciting, as it offers more variety and feels modern and energetic.

Exercise #8

Closed composition

Closed composition

A closed composition occurs when all elements work together to create a frame. Generally, we’ll position the primary element near or overlapping the middle of the composition, while the secondary elements, acting as complementary features, close the frame.

Exercise #9

Open composition

Open composition

Open compositions encourage the eye to move from one area to the next. They create a feeling of movement and, unsurprisingly, a sense of openness. Elements in open compositions do not form a frame, giving the impression that the composition continues beyond the edge.

Pro Tip: Try closed and open compositions to see what works best for different situations.

Exercise #10

Static composition

Static composition

Static compositions appear orderly, poised, and geometrically stable. The compositional center usually coincides with the geometric center or one of the axes of symmetry. Static compositions are usually closed, have subdued color and tonal contrasts, and use straight horizontal and vertical lines crossing at 90-degree angles.

Exercise #11

Dynamic composition

Dynamic composition

Dynamic compositions feel energetic and exciting — there’s an illusion of movement, activity, or even conflict. To achieve this effect, use open composition, intersecting diagonals of various angles, vigorous contrasts of color, and light and dark accents. Irregularities attract our attention and invite us to examine the composition further.

Exercise #12

Balanced composition

Balanced composition

Balanced composition occurs when all elements work together — the design is both stable and aesthetically pleasing. While some elements may be more prominent, no single one draws our attention away from the composition as a whole. In turn, in an unbalanced composition, individual elements dominate the whole, leading to tension and uneasiness.

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